“I Have Two Lovely Homes”: Sara Ali Khan Opens Up on Her Dual Diwali Celebrations with Mum Amrita Singh and Dad Saif Ali Khan

Bollywood actress Sara Ali Khan recently shared how she celebrates Diwali by splitting her time between her two homes — one with her mum Amrita Singh and the other with her father Saif Ali Khan — calling both places “lovely”.

In a conversation, Sara said that during Diwali she begins with her mother and brother at their home, where they decorate the house, make rangolis, light diyas and perform a Lakshmi Pooja together. She then goes to her father’s home to continue the festivities, noting that it’s “important to celebrate, love and brighten” both homes.

She also recalled childhood memories of Diwali at the family’s ancestral home in Pataudi Palace, saying that spending the festival there was always about food, fun and laughter with extended family.

Why this matters

• Sara acknowledging two homes emphasises the modern family structure in a high-profile film family: despite her parents’ separation, she embraces both sides warmly and celebrates traditions in each.

• Her celebrations blend tradition (poojas, diyas, rangoli) with glamour (attending Bollywood Diwali parties in ethnic outfits). It shows how celebrities keep cultural roots while navigating public lifestyles.

• The dual-home approach may resonate with many people in India whose families are spread or separated, offering a relatable reflection of modern festive life.

Controversial / deeper angle

• On one hand, the line “two lovely homes” might be seen as aspirational and heartwarming, but on the other hand it surfaces issues of privilege: not everyone can choose multiple homes for celebrations, or have the luxury of time to visit both.

• Furthermore, while Sara talks about traditional aspects, she also mentions high-profile Bollywood Diwali parties. That raises questions about balance — how much of such celebrity festivities remain rooted, and how much become spectacle?

• Some may interpret her narrative as subtly glossing over more complex family realities (divorce, blended families, public image) by focusing only on the celebratory, idyllic side. Is the “two lovely homes” line also a PR-friendly way to show unity and emotional stability?

Bottom line

Sara Ali Khan’s reflections on Diwali are both warm and layered: they show a star who honours her traditions, acknowledges her family’s complexities, and embraces both homes with joy. For audiences, it offers a glimpse of how festivals are lived by modern Bollywood families — not perfect, but celebratory and plural.