“The Man in Them Hasn’t Changed Much” — Shah Rukh Khan Announces Film Festival Amid Nostalgia Surge
- Ankush

- Oct 25, 2025
- 3 min read

Bollywood icon Shah Rukh Khan has unveiled a blockbuster-style tribute to himself — a film festival featuring his most enduring works — and he did it with his trademark self-deprecating humour. In a post on social media, he cheekily remarked, “the man in them hasn’t changed much — just the hair… and a little more handsome.” This tongue-in-cheek comment comes as the two-week-long festival kicks off on October 31, ahead of his 60th birthday on November 2.
The event is no small affair: in association with multiplex chains, the festival will re-release several of Khan’s landmark films — such as Kabhi Haan Kabhi Na, Dil Se, Devdas, Main Hoon Na, Om Shanti Om, and the recent blockbuster Jawan. The screenings will run across more than 75 cinemas in over 30 Indian cities, and even in select overseas markets including the Middle East, North America, the UK, Europe and Australia.
Khan described the initiative as “a beautiful reunion”. He quoted, “Cinema has always been my home, and seeing these films find their way back to the big screen feels like a beautiful reunion. These movies aren’t just my stories — they belong to the audience that have lovingly embraced them for over 33 years.
What’s controversial about it
Though on the surface this move seems purely celebratory, it carries several subtle but contentious implications:
Commercial nostalgia vs fresh content – Using a film festival to re-release old hits raises the question: is Bollywood relying more on past glory than creating compelling new stories? One could argue that this sets a precedent where studios would rather monetise the past than risk innovating.
Star-centric branding – The festival makes Shah Rukh’s persona the event itself. The caption “the man in them hasn’t changed much” emphasises the star over the films’ substance. Critics might say this reflects how the Indian film-industry places personality over plot or direction.
Accessibility and exclusivity – With screenings in select multiplexes and overseas markets, some fans—especially in smaller cities or rural areas—may feel excluded from this grand celebration. The “select theatres” caveat suggests it’s not for everyone.
What about the next generation? – While the festival honours the past, some observers see it as a moment to reflect on what comes next. Khan is already working on his upcoming film “King” (tentatively for 2026) but for many, a festival of old films sidelines new talent and fresh voices.
Why the industry and fans care
For fans: This is a rare opportunity to experience theatre-releases of beloved films in the big screen format, perhaps in better quality or new exhibits.
For the industry: It’s a marketing win. Re-releasing hits can open new revenue streams, and aligning it with a superstar’s milestone birthday makes it a media event.
For Khan’s legacy: At 60, this festival positions him firmly as a generational icon, bridging the 1990s to the streaming era. It re-cements his brand and keeps it relevant as audiences shift formats.
In short, Shah Rukh Khan’s film festival is much more than a birthday celebration. It’s a strategic blend of nostalgia, commerce, and star power that raises intriguing questions about Bollywood’s direction. Is this a heartfelt tribute to cinema artistry—or a reminder that Bollywood may be banking more on its past than pushing into its future? Either way, the conversation it sparks is as loud as the films themselves.
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