‘Chale jao, beshak koi zabardasti nahi hai’: Laxman Utekar reacts to Anurag Kashyap’s Bollywood exit remark
- Ankush

- May 31, 2025
- 2 min read

In response to Anurag Kashyap’s recent statement about wanting to leave Bollywood, citing creative stagnation, filmmaker Laxman Utekar shared his disagreement and expressed his views strongly. Utekar, known for directing films like Luka Chuppi and the upcoming Chhaava, said that Bollywood is an ever-evolving industry. He emphasized that if someone feels restricted or disillusioned, they are free to walk away, adding, “Chale jao, beshak koi zabardasti nahi hai” (Go ahead, no one is forcing you).
Anurag Kashyap had earlier expressed disappointment with Bollywood’s growing commercialism, claiming that storytelling has taken a backseat to box office numbers and formula-driven cinema. He felt the industry had become repetitive, lacking innovation and artistic freedom, prompting his thoughts of stepping away. Kashyap’s reputation as an independent and unconventional filmmaker has often put him at odds with the mainstream, and his statement sparked discussions across the industry.
Utekar, however, presented a contrasting perspective. He acknowledged that while the industry has its flaws, it still offers space for innovation. He suggested that those unwilling to adapt may find themselves stuck. He pointed out that blaming the system instead of embracing change might reflect a personal limitation rather than an industry-wide failure. Utekar stressed the importance of moving forward and not clinging to the past, saying, “Aap wahin atke huye ho” (You’re stuck in the past).
He further elaborated that many young filmmakers today are bringing fresh narratives and perspectives, which is evidence that Bollywood is transforming. According to Utekar, evolution is natural in any creative field, and those who embrace it continue to thrive. He used his own experience as an example, sharing how he adapted his storytelling style over time to connect with changing audiences.
The director also said that while critiques like Kashyap’s are valuable, they should not overshadow the ongoing progress within the industry. He maintained that Bollywood has space for all kinds of cinema—commercial, experimental, and everything in between. Instead of walking away, he encouraged disillusioned creators to contribute to positive change.
Utekar’s comments stirred varied reactions in the film community and among fans. Some supported Kashyap’s honest critique, while others agreed with Utekar’s belief in adaptability. The incident highlighted a generational and ideological divide in Bollywood—between traditional auteur-driven filmmaking and the current market-driven dynamics.
Overall, the exchange between Kashyap and Utekar reflects a broader conversation about the future of Hindi cinema. It poses vital questions about artistic integrity, commercial success, and how filmmakers choose to respond to the changing tides of the industry.
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