‘Jai Jai Ram’ From Ramayana: AR Rahman, Arijit Singh and Shreya Ghoshal Begin the Film’s Musical Journey

The first song from Nitesh Tiwari’s much-awaited Ramayana has arrived, putting the film’s music at the centre of its promotional campaign. Titled “Jai Jai Ram,” the song brings together A.R. Rahman, Arijit Singh, Shreya Ghoshal and Dr. Kumar Vishwas for a musical interpretation of the world surrounding Lord Rama.

The release comes as the ambitious two-part Ramayana moves closer to its theatrical debut. The film stars Ranbir Kapoor as Rama, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman and Ravie Dubey as Lakshmana, with Nitesh Tiwari directing and Namit Malhotra producing. Prime Focus Studios is producing the project in association with DNEG and Yash’s Monster Mind Creations.

What makes the song particularly significant is the combination of artists behind it. Rahman has composed and produced the track, while Arijit Singh and Shreya Ghoshal provide the vocals. Kumar Vishwas has written the lyrics. The film's broader music team also includes Hans Zimmer, who is working with Rahman on the score for the epic.

‘Jai Jai Ram’ Gives Audiences Their First Musical Taste of Ramayana

The song is not being positioned as a conventional romantic or character-driven Bollywood number. Its central idea is devotional, using the name and imagery associated with Rama to establish the spiritual side of the film.

That choice is significant for Ramayana because the story already exists in multiple cultural, theatrical, television and literary forms. The filmmakers therefore have the difficult task of making their version feel cinematic without disconnecting it from the emotional familiarity audiences already have with the epic.

“Jai Jai Ram” becomes an early indication of how the production is attempting to approach that challenge.

The combination of Rahman's contemporary orchestration with the voices of Arijit Singh and Shreya Ghoshal gives the song a mainstream Hindi-film identity, while the devotional theme keeps it directly connected to the source material.

AR Rahman Takes the Lead on the Song

A.R. Rahman is responsible for composing, producing and arranging “Jai Jai Ram.”

His involvement is one of the major musical attractions surrounding Ramayana. The project's overall music and score bring together Rahman and Hans Zimmer, creating a combination of Indian and international musical expertise. Prime Focus Studios has previously highlighted the collaboration as part of the film's larger global ambition.

The distinction between the soundtrack and the background score is also important. Rahman is specifically credited with the composition and production of “Jai Jai Ram,” while Zimmer and Rahman are jointly associated with the film's wider musical landscape.

For a project of this scale, the soundtrack has a role beyond simply supporting individual scenes. It is also part of how the filmmakers are introducing the film's identity to audiences before release.

Arijit Singh and Shreya Ghoshal Bring Their Voices to the Epic

The vocals are provided by two of Hindi cinema's most recognisable playback singers, Arijit Singh and Shreya Ghoshal.

Their pairing gives “Jai Jai Ram” a distinctly cinematic character. Both singers have performed across romantic, dramatic and devotional music, but the context here is considerably larger: the song is attached to one of India's most culturally significant stories and one of the country's most ambitious upcoming film productions.

The song's vocal arrangement allows the two singers to occupy different musical spaces rather than treating the track simply as a conventional duet.

That makes their contribution an important part of the film's early musical identity.

Kumar Vishwas Writes the Lyrics

The lyrics have been written by Dr. Kumar Vishwas, who has also been closely associated with the project's development.

The choice is particularly relevant because Ramayana requires language that can work simultaneously as cinema and as a devotional expression.

The makers have previously emphasised that they want to approach the epic with authenticity and respect. In its official material for the first look, Prime Focus Studios said the production's creative decisions were being shaped around Rama's qualities of duty, sacrifice, compassion and moral responsibility.

That approach provides useful context for the song. Rather than introducing the film through spectacle alone, the musical campaign begins with a devotional invocation.

The Song Arrives at an Important Stage for Ramayana

“Jai Jai Ram” arrives after the film has already generated substantial attention through its first look and theatrical trailer.

Prime Focus Studios released the official Ramayana: Part One trailer globally in July across five Indian languages. The studio described the project as a two-part cinematic franchise being developed with DNEG and Monster Mind Creations.

The trailer campaign established the scale of the production. The song now shifts attention toward another important component: emotion and music.

That progression is strategically useful.

Visual effects can establish scale, while a song can communicate mood and emotional identity much faster. For an epic whose story is already familiar, the latter may prove particularly important in differentiating this adaptation from previous screen versions.

Why the Music Matters So Much for This Adaptation

Music has historically been an important part of how Indian audiences experience mythological stories.

Television adaptations, stage productions, devotional albums and films have all created their own musical interpretations of the Ramayana. As a result, audiences are unlikely to approach the soundtrack of Tiwari's film without expectations.

The challenge for Rahman and the wider music team is therefore twofold.

The music needs to feel rooted in the cultural world of Rama while also sounding like part of a modern, large-format theatrical production.

“Jai Jai Ram” offers the first public indication of that balance.

Whether every musical choice ultimately works for every listener is subjective, but the broader strategy is clear: the film's music is being treated as a major part of its identity rather than an afterthought to its visual spectacle.

T-Series Has Major Stakes in the Ramayana Soundtrack

The scale of the soundtrack is also reflected in the business surrounding it.

T-Series announced in July that it had acquired the music rights to both parts of Ramayana in an advance arrangement reported at ₹75 crore. The announcement described the deal as covering the music of the two-part saga.

That commercial commitment adds context to the release of “Jai Jai Ram.”

The soundtrack is not simply one element of a film campaign. It represents a major music property in its own right, particularly because the film combines a high-profile cast with Rahman and Zimmer and is being positioned for audiences in India and overseas.

Ranbir Kapoor and Sai Pallavi’s Rama-Sita Dynamic

The song's release also arrives alongside the film's continued introduction of Ranbir Kapoor and Sai Pallavi as Rama and Sita.

The casting has been one of the most discussed aspects of the project, but the filmmakers have attempted to frame Rama through his values rather than simply through heroic imagery.

In the official first-look material, director Nitesh Tiwari described the epic as a story about choices, consequences and the difficulty of doing what is right. Ranbir Kapoor similarly spoke about approaching the role as an opportunity to learn from Rama rather than simply representing him.

That context makes the musical direction worth watching. The soundtrack will have to support not only large-scale battles and spectacle but also the emotional and moral dimensions of the characters.

Ramayana Is Being Built for a Global Audience

The ambition behind the project extends beyond the Indian market.

Prime Focus Studios has positioned Ramayana as a global cinematic presentation of an Indian epic. Sony Pictures is handling international distribution, while Dharma Productions has been announced as the distributor for North India's Hindi-speaking markets.

The film's international ambitions make its music especially significant.

A visual-effects-heavy production can communicate spectacle across language barriers, but music can carry cultural emotion in a different way. Rahman's involvement, alongside Zimmer's contribution to the score, reflects the production's attempt to combine Indian cultural material with the expectations of a global theatrical event.

The Celebrity Hour Take

The release of “Jai Jai Ram” matters because it changes the conversation around Ramayana.

Until now, much of the attention has centred on the film's casting, scale, visual effects and the challenge of bringing the epic to the screen. The first song shifts the focus toward how the film wants audiences to feel.

That may ultimately be just as important as how the film looks.

The choice of Rahman, Arijit Singh, Shreya Ghoshal and Kumar Vishwas gives the musical campaign considerable star power, but the real test will be whether their work creates a musical identity that belongs specifically to this version of Ramayana.

The film does not need to compete with every previous interpretation of the epic. It needs to establish its own emotional language.

“Jai Jai Ram” is the first substantial opportunity to do that.

What Comes Next for Ramayana?

With the first song now released, attention will move toward the remaining soundtrack, promotional material and the eventual theatrical campaign for Ramayana: Part One.

The first part is scheduled for a worldwide theatrical release during Diwali 2026, with the second part planned for Diwali 2027.

The film has already positioned itself as a large-scale international production. The music now gives audiences another way to enter that world.

For a story that has been told for generations, the biggest challenge is not making people recognise Rama.

It is finding a new cinematic language through which they can experience his story again.

“Jai Jai Ram” is the first musical step in that attempt.

Sources & Verification

This independent article was researched from the film's official production information from Prime Focus Studios, T-Series' announcement regarding the Ramayana music rights, and current reporting on the release of “Jai Jai Ram.” The song credits, principal cast, director, production structure, music team and release plans were cross-checked against available official and established sources.