Himesh Reshammiya Reveals Why He Rejects Films Without Romantic Songs

Singer and music composer Himesh Reshammiya has explained why he turns down film projects that do not offer scope for romantic songs. For the composer, romance is not simply another musical genre-it is an important part of the identity he has built over the years, and one that audiences expect from his work.

In a conversation on the Game Changers podcast, Reshammiya discussed his approach to selecting projects, saying he wants to compose romantic tracks rather than take on films that have no suitable situation for a love song between the lead characters. He also claimed that romantic tracks can attract up to 10 times more views, underlining why he continues to prioritise them.

His comments offer a glimpse into how an established composer balances creative preferences, audience expectations and the commercial realities of the Hindi film industry.

Why Romantic Songs Remain a Priority for Himesh?

Reshammiya has built a recognisable musical identity through romantic melodies and emotionally driven songs. He believes that this association creates a clear expectation among listeners whenever he takes on a new project.

Explaining his selection process, the composer said he wants to work on films that provide opportunities for romantic songs. If a story contains songs between friends or family members but no romantic situation between the hero and heroine, he may decide that the project is not right for him.

His reasoning is closely connected to his brand. A composer known for a particular style has to consider whether a new soundtrack will deliver what listeners associate with his music. For Reshammiya, romantic songs remain an area in which he feels confident and wants to continue working.

The approach also reflects a degree of selectivity. Rather than composing for every project offered to him, he wants to ensure that the film's musical requirements align with his strengths.

Himesh Says Romantic Tracks Can Get 10 Times More Views

One of Reshammiya's notable observations concerned the audience reach of romantic music. He said romantic tracks can receive 10 times more views, making them an important consideration in his creative decisions.

However, the figure should be understood as Reshammiya's assessment, not a verified industry-wide statistic. The available reporting does not establish the comparison group, the platforms measured or the time period used to arrive at the figure.

Even with that qualification, his comment highlights a broader question for film music: how do composers balance the demands of storytelling with the potential reach of individual songs?

Romantic tracks can serve several purposes in a film. They can establish a relationship, communicate feelings that dialogue cannot fully express, and give audiences a musical moment that exists beyond the film itself. For a composer whose work is closely associated with romance, these songs can also reinforce an established artistic identity.

The Business Behind His Creative Choices

Reshammiya's comments come at a time when film music is being shaped by changing production economics, digital platforms and the growing volume of new releases.

In a separate discussion about the changing role of music in Hindi cinema, he spoke about how producers increasingly calculate the costs and promotional value of filming songs. He also observed that the volume of music released across languages makes it more difficult for individual tracks to find an audience quickly.

These concerns help explain why a composer's creative choices can also become business decisions. A song must fit the film, but its potential life outside the cinema—including on streaming services and social platforms-can influence how it is planned and promoted.

Reshammiya's preference for romantic music reflects his own strategy within this changing environment. Rather than trying to fit every musical style, he is choosing projects that allow him to focus on a genre associated with his brand.

What This Means for His Upcoming Film Projects?

Reshammiya is composing music for Sooraj Barjatya's romantic drama Yeh Prem Mol Liya, starring Ayushmann Khurrana and Sharvari. The film's soundtrack has six songs, bringing him into a project where music and romance are central to the film's identity.

He has also composed for Gunmaaster G9, directed by Aditya Datt and starring Emraan Hashmi. The project reunites the director, actor and composer associated with the 2005 romantic thriller Aashiq Banaya Aapne.

These projects provide context for his continued interest in emotionally driven music, although his remarks about rejecting films should not be taken to mean that he works exclusively on romantic films. His choices depend on whether he believes his music can fit the world and requirements of a particular project.

The Celebrity Hour Take

Himesh Reshammiya's comments highlight a tension at the heart of film music: composers must respond to changing commercial demands without losing the musical identity that makes their work recognisable.

His preference for romantic songs is a clear example of brand-led creative decision-making. Instead of accepting projects simply to increase his workload, he wants the film's musical requirements to match the style he believes he does best.

The claim that romantic tracks attract 10 times more views needs more data before it can be treated as a general rule. But the underlying point is significant: for Reshammiya, romantic music is both a creative strength and a defining part of his professional identity.

Sources & Verification

This article draws on published coverage of Reshammiya's conversation on the Game Changers podcast and separate reporting about his views on the changing economics of Hindi film music. The “10 times more views” figure is attributed to the composer and has not been presented as independently verified industry data.